how do "you" make dynamic noise
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how do "you" make dynamic noise
I had a large synth (since sold on), but it didn't really click until I got a matrix switch. how is everyone else doing it ?
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Re: how do "you" make dynamic noise
I keep pressing buttons and turning dials. Like the 1000th monkey
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Re: how do "you" make dynamic noise
the average pedal has four knobs. the average set up 10 pedals.Soloman Tump wrote: ↑Thu Mar 31, 2022 4:44 pm I keep pressing buttons and turning dials. Like the 1000th monkey
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Re: how do "you" make dynamic noise
jokes about math aside, it's pretty obvious that how you set up your gear is what makes hn interesting... hence my question.
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Re: how do "you" make dynamic noise
Social_Drift wrote: ↑Fri Apr 01, 2022 12:22 am jokes about math aside, it's pretty obvious that how you set up your gear is what makes hn interesting... hence my question.
Right because the output is still the same so might as well talk about gear
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Re: how do "you" make dynamic noise
ok, what gear made your setup "work"NoiseWiki wrote: ↑Fri Apr 01, 2022 8:21 amSocial_Drift wrote: ↑Fri Apr 01, 2022 12:22 am jokes about math aside, it's pretty obvious that how you set up your gear is what makes hn interesting... hence my question.
Right because the output is still the same so might as well talk about gear
for me, it was a matrix mixer... I sold it along with more than half of my synth, but I have a lot less options for dynamic change now
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Re: how do "you" make dynamic noise
A box with kill-switches, and a handheld mono splitter with kill-switches for each output. Can be always-on, or always-off. While I'm not holding buttons on the main box, I'm arsing around with gear. It's also fun to have someone from the crowd who doesn't make noise play with me, when they don't know what the equipment does or sounds like, it's really great.
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Re: how do "you" make dynamic noise
Playing noise for people who have never heard noise is the best audience to play for.. unless it's in an eating establishmentBPJ wrote: ↑Wed Apr 06, 2022 9:37 am A box with kill-switches, and a handheld mono splitter with kill-switches for each output. Can be always-on, or always-off. While I'm not holding buttons on the main box, I'm arsing around with gear. It's also fun to have someone from the crowd who doesn't make noise play with me, when they don't know what the equipment does or sounds like, it's really great.
Also I'm working on some audience participation based sets