Andrew McIntosh - Revision history

Seteun: /* Collaborations */

2019-04-09T07:37:00Z

‎Collaborations

Wormfood at 03:42, 3 October 2012

2012-10-03T03:42:12Z

Wormfood: moved SCREWTAPE to Andrew McIntosh: No need for a name.

2012-10-03T03:41:27Z

moved SCREWTAPE to Andrew McIntosh: No need for a name.

Wormfood at 03:40, 3 October 2012

2012-10-03T03:40:28Z

Wormfood: /* Releases */

2012-10-03T03:11:23Z

‎Releases

Wormfood: /* Releases */

2011-06-14T23:23:36Z

‎Releases

Wormfood: /* Releases */

2011-06-07T03:18:53Z

‎Releases

Wormfood: /* Releases */

2011-05-31T02:56:15Z

‎Releases

Wormfood: /* Releases */

2011-05-31T01:24:07Z

‎Releases

Wormfood: /* Releases */

2011-05-31T00:05:59Z

‎Releases

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 '''Alientape''' With Richard Wixner (Alien Tech, Sonic Ponderings, etc., Another Plane Records). Manipulation of each others' sound sources. Noise and ambient mashed together.
-'''Deconstrrruction Redux: Rrredeconstrrruction''' My deconstrrruction of RRRon's original live recording rrredeconstrrructed by Melayne Seitoung.
+'''Deconstrrruction Redux: Rrredeconstrrruction''' My deconstrrruction of RRRon's original live recording rrredeconstrrructed by [[Melayne Seitoung]].
 '''Ethic Cleansing'''. Collaboration with Melbourne PE duo Ebola Disco. Half a year of alcohol and drug induced jam sessions produced the tape "Public Domain" (Solar Anus) and a tape of two versions of the spiral "This Means You!", a concept piece on dementia based on personal reflections from working in aged care; one side a live version from the only performance Ethic Cleansing did, the other a rehearsal version. This tape was later re-released on cdr by Magik Crowbar.

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 Began in 1996 as N.FIOS (Noise For It's Own Sake), later Dearth N.FIOS. Changed name in 2000.
 First recordings on four-track using every means at disposal; old analogue pedals, old analogue synth, old microphone, tapes, the toilet flushing, etc. Began fully using synth with digtital multi-effects pedal around 2007/8, concentrating on power drones, as well as vynal albums and tapes as sound sources. Added keyboard sampler in 1999, digital keyboard in 2000 and software in 2001. Now using analogue synthesizers, digital keyboard, analogue and digital pedals, microphone, meat and rubbish, software and samples.
-Have recorded huge amount of material between 1996 and now, some released on cassette and mp3, but no real attempt to collate and release to the public until 2009 with the launch of non-existant micro-label Solar Anus. Released cdrs and pro-made cassettes until early 2011, when the name Screwtape was abandoned. Releases are now either under own name (Andrew McIntosh) or no name.
+Have recorded huge amount of material between 1996 and now, some released on cassette and mp3, but no real attempt to collate and release to the public until 2009 with the launch of non-existant micro-label Solar Anus. Released cdrs and pro-made cassettes until early 2011, when the name Screwtape was abandoned. Releases are now either under own name or no name.

@@ Line 1: / Line 1: @@
 Began in 1996 as N.FIOS (Noise For It's Own Sake), later Dearth N.FIOS. Changed name in 2000.
 First recordings on four-track using every means at disposal; old analogue pedals, old analogue synth, old microphone, tapes, the toilet flushing, etc. Began fully using synth with digtital multi-effects pedal around 2007/8, concentrating on power drones, as well as vynal albums and tapes as sound sources. Added keyboard sampler in 1999, digital keyboard in 2000 and software in 2001. Now using analogue synthesizers, digital keyboard, analogue and digital pedals, microphone, meat and rubbish, software and samples.
-Have recorded huge amount of material between 1996 and now, some released on cassette and mp3, but no real attempt to collate and release to the public until 2009 with the launch of non-existant micro-label Solar Anus.
+Have recorded huge amount of material between 1996 and now, some released on cassette and mp3, but no real attempt to collate and release to the public until 2009 with the launch of non-existant micro-label Solar Anus. Released cdrs and pro-made cassettes until early 2011, when the name Screwtape was abandoned. Releases are now either under own name (Andrew McIntosh) or no name.

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 ''Online''
-I regard online releases as just as legitimate than physical, in many cases even more so when one considers how limited editions usually are in Noise. The following spirals are all available from the Screwtape Bandcamp page - http://solaranus.bandcamp.com/.
+I regard online releases as just as legitimate than physical, in many cases even more so when one considers how limited editions usually are in Noise. It is a continuous project involving full albums and single spirals - http://solaranus.bandcamp.com/.
 == Collaborations ==

← Older revision		Revision as of 23:23, 14 June 2011
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	2010		2010

−	'''You Scum''' cdr. 3" cdr of short, concise PE/Industrial pieces. Each piece is separate but the album is meant to be listened to as a whole. The so far only "pure" Power Electronics album.	+	'''You Scum''' cdr (Solar Anus). 3" cdr of short, concise PE/Industrial pieces. Each piece is separate but the album is meant to be listened to as a whole. The so far only "pure" Power Electronics album.

	'''Cunt's Act''' cassette (Magik Crowbar). Side one, a spontaneous recording made minutes after receiving the request for the album. Taking a site recording of a storm outside of residence made that day with video camera, those sounds where combined with vocals and effects while drunk. Side two, "Extreme Unction", a piece originally recorded around 2003/4 and constantly re-edited since.		'''Cunt's Act''' cassette (Magik Crowbar). Side one, a spontaneous recording made minutes after receiving the request for the album. Taking a site recording of a storm outside of residence made that day with video camera, those sounds where combined with vocals and effects while drunk. Side two, "Extreme Unction", a piece originally recorded around 2003/4 and constantly re-edited since.

← Older revision	Revision as of 03:41, 3 October 2012
(No difference)

← Older revision		Revision as of 03:18, 7 June 2011
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	== Releases ==		== Releases ==

−	~~2006~~	+	2005

	'''Teaching Ravens To Fly Underwater''' (Dreamland) Underwater MP3 album made up of three separate folders of files derived from a suite of sound applications made for older versions of Apple Mac. computers. Each folder was introduced by a piece that, taken together, formed another suite. Samples derived from traditional Chinese flute music, traditional Maronite Christian Lebanese hymns, Rick Wakeman's "Journey To The Centre Of The Earth" and other sources.		'''Teaching Ravens To Fly Underwater''' (Dreamland) Underwater MP3 album made up of three separate folders of files derived from a suite of sound applications made for older versions of Apple Mac. computers. Each folder was introduced by a piece that, taken together, formed another suite. Samples derived from traditional Chinese flute music, traditional Maronite Christian Lebanese hymns, Rick Wakeman's "Journey To The Centre Of The Earth" and other sources.

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-Split releases/collaborations
+''Split releases/collaborations''
 '''Love Ascends''' Piece contributed to the compilation celebrating the marriage of Leigh Stench to his now ex. wife.
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 '''w/ The Haters'''. Unsurprisingly this has proven to be the most popular Solar Anus release, demonstrating (once again) the consumerist nature of many Noise fans.
 '''w/ Von Einem'''. Project of Mark Groves,
 == Collaborations ==

← Older revision		Revision as of 01:24, 31 May 2011
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	2006		2006

−	'''Teaching Ravens To Fly''' (Dreamland) Underwater MP3 album made up of three separate folders of files derived from a suite of sound applications made for older versions of Apple Mac. computers. Each folder was introduced by a piece that, taken together, formed another suite. Samples derived from traditional Chinese flute music, traditional Maronite Christian Lebanese hymns, Rick Wakeman's "Journey To The Centre Of The Earth" and other sources.	+	'''Teaching Ravens To Fly Underwater''' (Dreamland) Underwater MP3 album made up of three separate folders of files derived from a suite of sound applications made for older versions of Apple Mac. computers. Each folder was introduced by a piece that, taken together, formed another suite. Samples derived from traditional Chinese flute music, traditional Maronite Christian Lebanese hymns, Rick Wakeman's "Journey To The Centre Of The Earth" and other sources.

	2008		2008

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 '''Blood And Chunder''' (Nowthis). Two commissioned pieces, the first being a deconstruction of popular music radio, the second a rhythmic Industrial piece mocking faux possessions of teenage girls by evil spirits. Coming out almost a week after "Grey", it also suffered from poor dubbing despite the cassettes being "professionally" pressed.
 Split releases/collaborations
 '''Highway Of Death/To The Ruin Of Us All''' Cassette release with US project November 14 on Central Industrial Records.
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 '''Small Doses'''. A compilation of mostly "noise-core" projects put out on US label Mortville, this was the final release. Screwtape contributed a ten second version of "Extreme Unction".
 ''
 From the end of 2010 a series of split cassettes was released from Solar Anus -''
 '''w/ M.A.N.K.''' Solo project of Casey, vocalist of Melbourne PE duo Ebola Disco.
 '''w/ Undecisive God.''' Project of Clinton Green, long-time musician, historian and archivist of Australian experimental and abstract music.