Difference between revisions of "NOISE KROV"
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| − | + | ''Real name: Nico Roxe'' | |
| − | ''' | ||
'''BIO''' | '''BIO''' | ||
| − | Years back I started a project called xNKx, name that evolved into Noise Krov. It is a personal exploration of experimental sounds, textures and analog creations | + | Years back, I started a project called xNKx, a name that evolved into Noise Krov. It is a personal exploration of experimental sounds, textures and analog creations inspired in the innermost desire of liberation and against the anthropocentric dream of humanity. |
I have been involved in DIY music since I was a kid. I love sound-noise, electronically generated analog sounds, and been surrounded by a labyrinth of cables that is constantly multiplying without control and taking over. | I have been involved in DIY music since I was a kid. I love sound-noise, electronically generated analog sounds, and been surrounded by a labyrinth of cables that is constantly multiplying without control and taking over. | ||
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I use basic analog synthesizers and filters going through different pedal effects to the mix. I also use discarded machines such as old TVs, radios, sound analyzers, construction tools and anything that creates sound through electricity. | I use basic analog synthesizers and filters going through different pedal effects to the mix. I also use discarded machines such as old TVs, radios, sound analyzers, construction tools and anything that creates sound through electricity. | ||
| − | Lately I have been | + | Lately, I have been working mostly with modular synthesizers, trying to use a minimal amount of equipment. Also including interactivity in my live performances using video, video-synths, Freeduinos, and computers. |
| − | There is a constant search | + | There is a constant search for new ways to explore found sounds that can be transformed. I am interested as to how they are perceived by the human senses. |
'''LATEST PUBLICATIONS''' | '''LATEST PUBLICATIONS''' | ||
| + | |||
| + | - "World Water War", NODAPL NOISE Compilation - Benefit for the Standing Rock Sioux Tribe resistance against the construction of the Dakota Access Pipeline / CHTHONIC STREAMS - 2016 [https://chthonicstreams.bandcamp.com/album/nodapl-noise] | ||
- "Intersectional Point Of View", SYNTHESIS VOL. 2 compilation | - "Intersectional Point Of View", SYNTHESIS VOL. 2 compilation | ||
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- "System Failure", MERZBOW - A Sonic Tribute From Berlin compilation / Urban Arts Berlin - 2013 [https://urbanartsberlin.bandcamp.com/album/merzbow-a-sonic-tribute-from-berlin] | - "System Failure", MERZBOW - A Sonic Tribute From Berlin compilation / Urban Arts Berlin - 2013 [https://urbanartsberlin.bandcamp.com/album/merzbow-a-sonic-tribute-from-berlin] | ||
| + | |||
| + | - "Unrestraint", Escape From Darkness Records – EFD02, EP 2009 / Discogs: [https://www.discogs.com/Noise-Krov-Unrestraint/release/3290121] | ||
| + | |||
| + | - "Implosion", Self released 2008 / Soundclod: [https://soundcloud.com/xnkx/sets/xnkx-implosion-demo-2008-1] | ||
'''LINKS''' | '''LINKS''' | ||
| − | - | + | - Soundcloud:[https://soundcloud.com/xnkx] |
| − | - | + | - Bandcamp:[https://noisekrov.bandcamp.com/] |
[[category:Noise]] | [[category:Noise]] | ||
Latest revision as of 17:29, 29 March 2020
Real name: Nico Roxe
BIO
Years back, I started a project called xNKx, a name that evolved into Noise Krov. It is a personal exploration of experimental sounds, textures and analog creations inspired in the innermost desire of liberation and against the anthropocentric dream of humanity.
I have been involved in DIY music since I was a kid. I love sound-noise, electronically generated analog sounds, and been surrounded by a labyrinth of cables that is constantly multiplying without control and taking over.
With Noise Krov I mostly focus on Harsh Noise and Dark Ambient sounds, but I always leave a door open for other experimentation.
PROCESS
There is an uncontrollable impulse of expression through sound that begins organically and mutates during its creation.
I use basic analog synthesizers and filters going through different pedal effects to the mix. I also use discarded machines such as old TVs, radios, sound analyzers, construction tools and anything that creates sound through electricity.
Lately, I have been working mostly with modular synthesizers, trying to use a minimal amount of equipment. Also including interactivity in my live performances using video, video-synths, Freeduinos, and computers.
There is a constant search for new ways to explore found sounds that can be transformed. I am interested as to how they are perceived by the human senses.
LATEST PUBLICATIONS
- "World Water War", NODAPL NOISE Compilation - Benefit for the Standing Rock Sioux Tribe resistance against the construction of the Dakota Access Pipeline / CHTHONIC STREAMS - 2016 [1]
- "Intersectional Point Of View", SYNTHESIS VOL. 2 compilation / Urban Arts Berlin - 2015 [2]
- "System Failure", MERZBOW - A Sonic Tribute From Berlin compilation / Urban Arts Berlin - 2013 [3]
- "Unrestraint", Escape From Darkness Records – EFD02, EP 2009 / Discogs: [4]
- "Implosion", Self released 2008 / Soundclod: [5]
LINKS
- Soundcloud:[6]
- Bandcamp:[7]
