Difference between revisions of "Asmas"
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== Gear == | == Gear == | ||
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| + | Asmas presents a VERY CRUEL DESIGN, a piece of apparatus comparable only to the thing from Kafka's 'In The Penal Colony', cOmInG sOoN to live use... | ||
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| + | '''~THE INSUB REGISTRY~''' | ||
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| + | '''a four-channel mixer combining...''' | ||
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| + | '''1. a Macbook running loops generated from material produced and/or processed in PureData / Hydrogen / Audacity''' | ||
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| + | '''2. FM radio thru a dynamic mic''' | ||
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| + | '''3. a metronome-cum-tone-generator thru a Boss DS-1, Big Muff, and Ashdown 'James LoMenzo' Bass Hyper Drive''' | ||
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| + | '''4. bowed, battered, and prepared electric guitar thru a high-gain valve preamp (preparations include screwdrivers, Allen keys, springs, coins, slides, a hammer...)''' | ||
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| + | For recording purposes this is supplemented or replaced-in-part by various other instruments (most notably double bass and synth) plus extensive use of contact microphones and found objects. | ||
== Discography == | == Discography == | ||
| − | LATEST | + | '''LATEST RELEASES: |
| − | + | ''' | |
[[File:ISTCF1.jpg|thumb]] | [[File:ISTCF1.jpg|thumb]] | ||
Immanent Soul-Train Classics For One | Immanent Soul-Train Classics For One | ||
| − | 21/05/2020 | + | (21/05/2020) |
1. 'Entropy' Pronounced 'Excitement' 03:19 | 1. 'Entropy' Pronounced 'Excitement' 03:19 | ||
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2. The Temerity Of It 04:10 | 2. The Temerity Of It 04:10 | ||
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3. Volume Does Not Equal Intent 03:40 | 3. Volume Does Not Equal Intent 03:40 | ||
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4. Roland Barthes Enjoys His Collection Of Polaroids 03:26 | 4. Roland Barthes Enjoys His Collection Of Polaroids 03:26 | ||
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5. The Direction Of Appropriation Is Everything 06:29 | 5. The Direction Of Appropriation Is Everything 06:29 | ||
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6. Thinking Again About Miasma 04:13 | 6. Thinking Again About Miasma 04:13 | ||
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7. Two For Two 05:30 | 7. Two For Two 05:30 | ||
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8. For The Future (Just In Case) 02:13 | 8. For The Future (Just In Case) 02:13 | ||
(noise / harsh noise / HNW / drone / EAI / free improvisation) https://sovietdistrict.bandcamp.com/album/immanent-soul-train-classics-for-one | (noise / harsh noise / HNW / drone / EAI / free improvisation) https://sovietdistrict.bandcamp.com/album/immanent-soul-train-classics-for-one | ||
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== Contact == | == Contact == | ||
Revision as of 16:47, 24 May 2020
Bio
Norwich, UK. M. Andrews principally active as an instrumental improviser, songwriter, and poet; thus far Asmas has very much been a side-project for sporadic indulgence. This will change.
Members
Matthew Andrews
Gear
Asmas presents a VERY CRUEL DESIGN, a piece of apparatus comparable only to the thing from Kafka's 'In The Penal Colony', cOmInG sOoN to live use...
~THE INSUB REGISTRY~
a four-channel mixer combining...
1. a Macbook running loops generated from material produced and/or processed in PureData / Hydrogen / Audacity
2. FM radio thru a dynamic mic
3. a metronome-cum-tone-generator thru a Boss DS-1, Big Muff, and Ashdown 'James LoMenzo' Bass Hyper Drive
4. bowed, battered, and prepared electric guitar thru a high-gain valve preamp (preparations include screwdrivers, Allen keys, springs, coins, slides, a hammer...)
For recording purposes this is supplemented or replaced-in-part by various other instruments (most notably double bass and synth) plus extensive use of contact microphones and found objects.
Discography
LATEST RELEASES:
Immanent Soul-Train Classics For One (21/05/2020)
1. 'Entropy' Pronounced 'Excitement' 03:19
2. The Temerity Of It 04:10
3. Volume Does Not Equal Intent 03:40
4. Roland Barthes Enjoys His Collection Of Polaroids 03:26
5. The Direction Of Appropriation Is Everything 06:29
6. Thinking Again About Miasma 04:13
7. Two For Two 05:30
8. For The Future (Just In Case) 02:13
(noise / harsh noise / HNW / drone / EAI / free improvisation) https://sovietdistrict.bandcamp.com/album/immanent-soul-train-classics-for-one
Contact
soviet.district@aol.co.uk
